A stiff police/FBI procedural, The House on 92nd Street (1945) chronicles the search for a Nazi spy ring operating in the U.S. prior to WWII. Someone is smuggling parts of the formula for Process 97 (the Atomic Bomb) out of a top secret facility and the FBI, led by Agent Briggs (Lloyd Nolan) wants to find out how. The bureau has recruited Bill Dietrich (William Eythe), a German national, also recruited by German intelligence, to infiltrate the ring, pass information to the FBI, and identify the ring’s leader. Known only as Mr. Christopher, the Nazi leader has thus far eluded detection and his identity remains a secret until the end of the film. Dietrich, faked CV in hand, presents himself to the front men for the spies as a radio engineer who will pass intel to and from Hamburg. Directed by Henry Hathaway, The House on 92nd Street also stars Leo G. Carroll, Signe Hasso, and Gene Lockhart. Though not as exciting as The Naked City or He Walked by Night, or even 13 rue Madeleine, 92nd Street tells an interesting story efficiently and the actors, especially Hasso, Carroll, and Lockhart acquit themselves well.
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