Monica Rivers (Joan Crawford) runs a circus with a problem. Her headlining acts keep dying violently. As the death toll rises, Scotland Yard begins to take notice and they send a man (Robert Hardy) to investigate. With performers dropping dead, police hovering, and the rest of the troupe on edge, the stress level increases quickly. The circus performers start suspecting each other and their leader. Rivers isn’t winning friends either with her ‘my way or the highway’ demeanor or with her habit of romancing all the eligible men. She starts with co-owner Michael Gough and moves on to trapeze artist Ty Hardin.
Ty’s turn.
The arrival of Rivers’ daughter Angela (Judy Geeson) complicates matters further and since no one is truly innocent, the audience wonders who is killing the great circus performers of England.
All the other kids are going!
Berserk is a fun film for a few reasons. It’s Joan Crawford’s penultimate film and she gets to be queen of the over the top big top. She even gets to wear her own clothes. Berserk’s low budget did not allow for Crawford’s usual extravagant wardrobe so she brought her own. There are some interesting circus scenes too. The dog act is particularly fun and fortunately, the film keeps clown presence to a minimum.
We’re here to give the circus a little class.
Directed by Jim O’Connolly (The Hi-Jackers, The Valley of the Gwangi), Berserk holds your interest. Circus shenanigans and spectacular deaths make for an entertaining show and Joan Crawford’s histrionics are always a treat. The cast of capable supporting actors and real circus performers make the film fun to watch. Look for Diana Dors as a mouthy magician’s assistant.
What could happen?
What’s this guy doing here?
Joan even manages to inject some Pepsi product placement into the film. I like Joan Crawford in films like Strait-Jacket, Whatever Happened to Baby Jane, and Berserk. She knows how to chew her some furniture.
Is that my paycheck?
Prowler Needs a Jump 
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