Genocide (1968)   1 comment


A US Air Force carrier armed with an H-bomb runs into a swarm of insects and loses control over a small Japanese island. Before the plane augers into the atoll, the crew of three parachute to safety. Naturally, the Air Force send men to search for the airmen and the bomb, which has gone missing as well. Oops.

Found it!

On the island, Air Force officers find two of the airmen dead and a third seriously injured. The arrest Joji (Yûsuke Kawazu) for murder. He had a watch on him belonging to one of the dead men. Despite evidence that the men were eaten alive, the authorities plan to ship Joji to Tokyo for trial. Only Joji’s wife, Yukari (Emi Shindô) and his boss Dr. Nagumo (Keisuke Sonoi) believe Joji. Meanwhile, the third airman, Charlie (Chico Roland) regains consciousness and rants about insects. Since that happens to be Dr. Nagumo’s specialty, he perks right up. Dr. Nagumo, Yukari, and Charlie’s doctor team up to find the rogue bugs and try to convince the seriously nasty Air Force guys to listen to Charlie. In their defense, Charlie has recently fallen off a cliff so his version of events is less than reliable.

Charlie hates sneeze guards.

Bad things keep happening to Charlie. Annabelle, Joji’s paramour and a less than stellar individual, kidnaps Charlie and tortures him using her pet insects. This does wonders for Charlie’s already fragile mental state. Annabelle’s rationale for being such a sick twist is that she spent part of World War II in a German concentration camp so she has the right to abuse and torment whoever she likes.

Come. My insect dungeon awaits.

Back among the sane, Joji escapes, the Air Force guys refuse to listen to anyone, and Charlie runs amok. He gets away from Annabelle and steals her magic revolver managing to squeeze fourteen shots out of it. I counted. Things go downhill from there. The insects Dr. Nagumo suspected all along run rampant over the island and it’s clear that if they’re allowed to leave the island, all hell will break loose. Humans will never win against an army of different types of insects who have joined forces. It’s at this point when people start suggesting that the H-bomb isn’t such a bad thing after all. Will they or won’t they? Only director Kazui Nihonmatsu and Edward Teller know for sure.

teller toy
You got chocolate on my isotope!

I enjoyed Genocide. Wow. What an odd thing to say. The plot made sense even if it was filled with stereotypes. That’s not an unprecedented statement. I mean, Gone with the Wind makes sense as a film even though the characterizations aren’t exactly modern. It looked good. Shizuo Hirase was the cinematographer on this film and Goke, Body Snatcher From Hell and he makes it look good. There’s also a trippy paint scene during Charlie’s hallucination sequence done by Keiji Kawakami and Shun Suganuma. Genocide has a distinctive point of view and features insects that kill so I’m in. I watched this on the When Horror Came to Shochiku Criterion box set. It looks fabulous.



One response to “Genocide (1968)

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  1. Reblogged this on clawkent.

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