Archive for the ‘Denholm Elliott’ Tag

The House That Dripped Blood (1971)   1 comment

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An English country house provides the setting for four Robert Bloch tales in the Amicus anthology film, THE HOUSE THAT DRIPPED BLOOD.  A.J. Stoker (John Bryans) explains to Detective Inspector Holloway (John Bennett) that the murders the detective wants to solve stem from an evil which dwells in the walls of the cottage.  To prove his theory to the incredulous police officer, he tells four stories.

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“It’s move-in ready.”

“Method for Murder” stars Denholm Elliott as Charles Hillyer, an author of murder mysteries who needs the peace and quiet of a country house to write.  He and his wife, Alice (Joanna Dunham) move into the house so Charles can finish his book.  Charles loves the house from the beginning.  With bookshelves swollen with Edgar Allen Poe books and gothic bric-a-brac, he thinks the house will be the perfect cure for his writer’s block.  He’s right.  Soon, Charles’ creative juices flow and he creates a crazed killer to perform his literary evil deeds.  When Charles thinks he sees this madman around his house, things go off the rails a bit.  Elliott and Dunham play well together and the direction by Peter Duffell moves it along smartly.

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“It slices AND dices?”

You know when you go into a rural wax museum and see a figure who looks like your ex?  Me neither.  Philip Grayson (Peter Cushing) has worked hard all his life and amassed enough to live out the rest of it comfortably.  He sees the house as a quiet spot where he can read and think.  While strolling through the nearby village, Grayson sees a sign for Jacquelin’s Museum of Horror.  Charmed by the thought of such a place out in the country, Grayson enters the shop.  Unfortunately, all is not as it seems in the quaint museum.  “Waxworks” also stars Joss Ackland as Neville, Grayson’s old friend, who also wanders into the shop.  The two men become fixated on what they find there.  They probably should have gone into the tea shop instead.

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“I could’ve had a V-8.”

Christopher Lee looks sufficiently tweedy in “Sweets to the Sweet”.  He plays John Reid, a successful businessman who moves out to the country house with his daughter, Jane (Chloe Franks).  He doesn’t want to send the shy, troubled girl to school so he hires a private tutor, Ann Norton (Nyree Dawn Porter) to teach her at home.  The teacher and child develop a bond almost immediately and Ann begins to wonder why Reid wants to keep Jane so isolated.  The closer teacher and student get, the farther apart Reid and his daughter become.  What’s the secret causing such tension?  I’ll never tell.

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“You disgust me.”

In “The Cloak”, Jon Pertwee plays Paul Henderson, a conceited movie star on the decline.  Forced to appear in a low-budget vampire film, Henderson complains about everything from the script to the wardrobe.  To introduce some authenticity into his role, Henderson heads to a costume shop and buys an old cloak.  As soon as he puts it on, Henderson discovers the cloak is more than just a costume.  Ingrid Pitt also stars in this fun take on the horror film business.  There’s also a cool in-joke.  In an obvious reference to Christopher Lee, Henderson says he wants to play a vampire “…like Bela Lugosi, not this new fella.”  I smiled all through The Cloak.  The whole cast, including Geoffrey Bayldon and an uncredited Joanna Lumley, worked well together.

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“I’m telling you that director’s a Dalek.”

The writing, cast, and atmosphere in THE HOUSE THAT DRIPPED BLOOD keep you entertained and thinking.  Fun flick.

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Vault of Horror (1973) 31 Days of Horror   1 comment

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Five men meet in an elevator over which they have no control. Sounds…like Tuesday morning in a large office building, right? Not so fast. The elevator takes them to a basement vault (of horror!) where they sit at a nicely set table and have drinks. Ahhhhhhhh! The film is British, after all. As the men begin to talk, they realize they all have frightening dreams so one by one they tell their stories. So begins this portmanteau horror film set in modern day (1970s) England. The five tales, directed by Roy Ward Baker (A Night To Remember, Don’t Bother To Knock) involve betrayal, revenge, and murder. And vampires! William M. Gaines and Al Feldstein of EC Comics and MAD Magazine fame wrote the stories and they boast an exaggerated, dramatic flair. All five storytellers have one thing in common. They’re all nasty people.

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Lesser X-Men cosplayers

Daniel and Anna Massey (real life brother and sister) play siblings in the first tale. The characters they play must have had some awkward family dinners. In the second segment, Terry-Thomas and Glynis Johns are newlyweds starting a less than idyllic marriage.

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Tell me again the dinner was late.

Curd Jürgens and Dawn Addams travel to India searching for novelty for their magic act in the third. They find it. In the fourth story, Michael Craig and Edward Judd partner up in a plot that goes awry. Their tale also stars Robin Nedwell and Geoffrey Davies from the old Doctor in the House TV series. In the last of the five parts, Tom Baker ditches the TARDIS and gets a lesson in voodoo in Haiti. Denholm Elliott appears as well.

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Did you bring your co-pay?

These vignettes boast a stellar cast of British film and television actors. Some act as part of the Amicus Productions repertory company and some appear in small cameos. Amicus made a number of anthology horror films like Torture Garden (1967), The House That Dripped Blood (1971), and Tales From the Crypt (1972) and often used actors borrowed from Hammer films like Christopher Lee, Peter Cushing, and even Vincent Price to headline its casts.
My attention span rivals that of an adolescent gnat so I love anthology films and short stories. The plethora of character actors in these films makes it fun too. While Vault of Horror lacks the depth of a full-length feature film, it makes up for it with its inventiveness, cool cast, and inside jokes. At one point Michael Craig reads a paperback copy of Tales From the Crypt and later looks almost directly into the camera and says, “There’s no money in horror.” If you watch Vault of Horror with a sense of humor and enjoy the campiness, you’ll enjoy it as much as the cast seems to.

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You feel a sharp pain where?

I wrote this for the 31 Days of Horror challenge on cinemashame.wordpress.com @cinemashame on twitter.

I’m @echidnabot on twitter.

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