Archive for the ‘Herbert Lom’ Tag

Asylum (1972)   1 comment

asylum poster

I love anthology films.  It doesn’t matter if they’re anthology drama, comedy, or horror films, but I hold a special place in my heart for anthology horror.

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ASYLUM begins with Modest Mussorgsky’s A Night on Bald Mountain.  As the music swells, we see Dr. Martin (Robert Powell) arrive at a remote sanitarium.  Martin meets with Dr. Rutherford (Patrick Magee) who offers him a proposition.  Rutherford will hire Martin if, after interviewing four patients, he can identify which of the inmates is B. Starr, the former head of the institution.  Starr had a complete breakdown and is now an inmate.  Attendant Max Reynolds (Geoffrey Bayldon) takes Dr. Martin from room to room to hear each patient’s story.

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“Tonight on Spot the Loony…”

In the first segment, “Frozen Fear”, Bonnie (Barbara Parkins) tells the story of her lover, Walter (Richard Todd) and his wife, Ruth (Sylvia Syms) and their, um…breakup.  Walter, sweet guy that he is, takes his wife down to their basement to show her a gift he just bought for her.  She’s always wanted a chest freezer and is delighted until Walter surprises her further with a blow to the head.  Fortunately, the freezer is Ruth-sized so Walter has plenty of room to store the bits of Ruth he chopped up and wrapped neatly in brown paper and twine.  Now Walter can abscond to Rome or Nice or Trenton with Bonnie and live happily ever after, right?  Not so fast, bub.

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“Oh, honey?”

Barry Morse plays the titular role in “The Weird Tailor”.  With no money coming in and the threat of eviction looming, Morse gets an odd request from new customer, Peter Cushing.  Cushing commissions Morse to make him a suit made of special fabric he brings himself.  Morse must construct the clothing in a particular order to exact specifications and during the times mandated by the instructions.  Since Cushing wants the outfit immediately and promises to pay handsomely, Morse agrees to his terms.  Things move along swimmingly until delivery day when Morse makes an odd discovery.

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“I’m odd.”

Dr. Martin sees patient Barbara (Charlotte Rampling) next.  Barbara tells of her release from another sanitarium.  Her brother, George (James Villiers) drives her back to the family home and introduces her to her new nurse, Miss Higgins (Megs Jenkins).  Barbara, annoyed at the prospect of a nurse telling her what to do, goes to her room to find her friend, Lucy (Britt Ekland) there.  Barbara is overjoyed to see her old friend who immediately suggests that they go over the wall and go on a spree.  Their outing doesn’t go as planned.

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“Summerisle?  No, I’ve never been there.”

“Mannikins of Horror” stars Herbert Lom as Dr. Byron, a man who believes he can transfer the essence of himself into a small robot who will carry out his will.  All I can say is I want a Herbert Lom robot.

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The Lombot in action.

ASYLUM has a scary, dramatic score by Douglas Gamley and Mussorgsky, a great horror film setting, and a super cast of veteran British actors.  Robert Bloch of PSYCHO fame wrote the stories, and Roy Ward Baker directed.  Baker also directed A NIGHT TO REMEMBER and quite a few films for Amicus and Hammer Productions including the portmanteau horror, VAULT OF HORROR.  Amicus made a number of anthology horror film in the 1960s and 1970s and this is one of the best.

poster asylum

haunty

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And Now the Screaming Starts (1973)   3 comments

-and-now-the-screaming-starts-198702l
Newly married Catherine Fengriffen (Stephanie Beacham) arrives at her husband’s ancestral castle expecting romance and love.  Instead she encounters weird portraits, a peeping ghoul, and a disembodied hand.

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“Hiya!”

Catherine keeps seeing nutty stuff no one else sees.  Everyone thinks she’s rattraps so they send for Dr. Whittle, played by the always comforting Patrick Magee and Dr. Pope, the kind and brilliant Peter Cushing.  Catherine’s husband, Charles (Ian Ogilvy), gets a bit frustrated with his neurotic wife and the fact that their honeymoon is less sexy romance and more researching the family curse and calling the doctor.

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“Yes, a hand.  I see.  Is it time for bed?”

Anyway, the house continues to gaslight Catherine and no one will tell her the backstory.  She sees hands and spooks and windows open by themselves.

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“Let me give you a hand with that.”

It’s a real party until she finally hears the legend.  You see, Henry Fengriffen, Charles’ grandfather, had a wife and child, but ignored them and filled his house with the scum of the earth.  Drunken orgies, full of harlots, debauchery, and bad singing, go on for days.  During one particularly grotesque spree, Fengriffen breaks into the house of humble serf, Silas (Geoffrey Whitehead) and his new bride, Sarah (Sally Harrison).  Fengriffen’s attack on the young couple brings on a curse which haunts poor Catherine today.

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“Coochie coochie coo!”

Will Patrick Magee and Peter Cushing rid the house of demons?  Will the curse continue to annoy and vex Catherine?  Will Herbert Lom trim his eyebrows?

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“Apply leeches liberally until sense is restored.”

Roy Ward Baker directed AND NOW THE SCREAMING STARTS based on Roger Marshall’s screenplay of David Case’s book.  Phew.  It’s a decent horror film, but it could use a little oomph.  More screen time for Cushing, Magee, and Lom could only improve it.  Look for Rosalie Crutchley as a servant.

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In the night. In the dark.

haunty

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