Archive for the ‘Ian Hendry’ Tag

Tales from the Crypt (1972)   4 comments

crypt poster

Five strangers, lost underground during a guided tour of some catacombs, find their way into a stone crypt. The door closes behind them locking them in with Sir Ralph Richardson clad in a monkshood.

Who wants to play charades?

The crypt keeper (Richardson) commands them to sit and proceeds to tell them why he’s summoned them. This anthology horror film brought to you by the good folks at Amicus Productions consists of five stories originally found in the comic books of William Gaines. Written by Gaines, Al Feldstein, and Johnny Craig and adapted for the screen by Milton Subotsky, Tales from the Crypt was the fourth portmanteau horror film made by Amicus. Patterned after the Ealing Studios’ 1945 film Dead of Night, the popular films told each character’s separate horror tale to its captive audience.

Did anyone see an ant?

The first story, “And All Through the House” stars Joan Collins, domestic bliss, and Santa. In “Reflection of Death”, Ian Hendry kisses his wife and kids and goes for a ride. “Poetic Justice” stars Peter Cushing as a sweet old man grieving the death of his wife. He loves children and dogs and has nothing but good on his mind. His evil neighbors find his quaint ways too messy for their fashionable neighborhood.

Why are they so mean?

“Wish You Were Here” is a modern take on W.W. Jacobs’ story “The Monkey’s Paw”. The final tale, “Blind Alleys” stars Patrick Magee and Nigel Patrick in a memorable segment which reminds you about that thing they always say about karma.

Even my kids think I’m creepy.

Full of hyperbole and graphic violence, the stories’ comic background give the film a theatrical flair. They pull you in and the performances ground the film. Full of seasoned actors, Tales from the Crypt is believable in spite of its over the top storylines.
Freddie Francis, who won two Oscars for cinematography (Sons and Lovers, Glory) and many British and European awards and nominations for films like The Elephant Man and Cape Fear directs this film as a straight horror/thriller and can ratchet up the suspense when he has to. He trusts his cast of veteran character actors to come through and they do. Joan Collins goes a bit over the top in her segment, but that’s why we love her.

I brought dip.

I’ve long been a fan of anthologies and Amicus knows how to make them. Hammer gets all the glory, but I prefer these lower budget stories. We’ve seen the actors before and the sets are recycled, but the stories are a lot of fun.

In reading about this film I found out that Peter Cushing wanted the part of Arthur Grimsdyke.  Originally cast in “Wish You Were Here”, Cushing requested that he play the part of the kindly widower instead.  He had just lost his wife in real life and was instructed to play himself.  It’s a sweet role.

If you like anthology horror as much as I do, please check out my review of Vault of Horror also on this blog.

Oh I almost forgot.  My favorite part of Tales from the Crypt was when the crypt keeper, Sir Ralph Richardson first appeared and my teenaged daughter said, “Hey, is this Time Bandits?”  Smile-inducing.

Clean up all this evil.

Get Carter (1971)   Leave a comment

Get Carter 1971 movie poster

Jack Carter (Michael Caine) hears of his brother’s death and heads up to Newcastle from London where he works as a mob hit man. As he speaks to his brother’s friends and coworkers, Carter suspects the car accident that killed his brother Frank was no accident at all. Inconsistencies in people’s stories along with their unwillingness to talk about Frank’s last day convince him to look deeper. As Carter digs we see how much the local gang wants him to stop looking and go home to London. We also see how ruthless he is. He doesn’t care who gets hurt in his quest for answers about a brother he hasn’t seen in years.

We also get some idea of why Carter left for London in the first place. He rose above this second-tier town. Seedy and low-rent, Newcastle’s bars, betting parlors, and rooming houses serve as the perfect backdrop for the story of a pretty serious bastard picking through the low-lifes to find the lowest one. You don’t love Carter, but he’s fun to watch. He maneuvers around the local thugs like a sort of hoodlum James Bond. Violent and single-minded, Carter has no qualms about using his friends to get the answers he wants. An interesting scene in a local bar gives some insight into Carter’s personality and the atmosphere in Newcastle. A pub singer kisses a male customer as part of her act and a jealous woman attacks her. The two women roll on the floor fighting as the patrons look on, cheering. It’s one of the few times in the film when Carter smiles.

The character of Carter and the story “Jack’s Return Home” by Ted Lewis appealed to Michael Caine and his business partner, Michael Klinger, so they bought the rights to it and chose Mike Hodges (Terminal Man, Croupier) to direct. Caine had been searching for a vehicle since he found his last few films disappointing. He had to be happy with this one. Get Carter showcases Caine’s assets spectacularly. He gets to be crafty, sardonic, and even cruel as he muscles his way toward the real story behind his brother’s death. This is Caine at his best. He outsmarts the goons hired to rough him up while throwing out great lines. After going to the wrong man’s house, he attempts to leave quietly. The man starts to fight with Caine/Carter who says, “You’re a big man, but you’re out of shape. With me it’s a full-time job. Behave yourself.” Carter slugs him and leaves. Even while chasing a man in order to kill him, Carter has some great lines. As the man falters trying to escape Carter says, “You couldn’t win an egg and spoon race, [name*].”

I loved Get Carter. It had a strong story and an incredible performance by Caine. The direction was no-nonsense and very Don Siegel-like which suited the material perfectly. I haven’t read the story so I don’t know how much material Mike Hodges added when he wrote the screenplay, but choice bits abound. During one scene, Carter has phone sex with his mistress Britt Ekland while staring at his landlady. The camera stays on Carter in the background on the phone and the landlady in the foreground in a rocking chair. As the conversation gets more heated, the rocking quickens. Later, Carter has sex with the landlady under a sampler that reads ‘What Would Jesus Say’. Priceless.   BAFTA nominated Ian Hendry for best supporting actor, but skipped Michael Caine entirely. Since he dominates the film, his omission stuns me. Caine acts in every scene and I couldn’t take my eyes off him for a second. The plot, atmosphere, supporting cast, and especially Michael Caine’s performance makes Get Carter one of the best crime-related films I’ve seen.
*including the name would be a spoiler

get carter still
“Alfie who?”



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