Archive for the ‘Kari Matchett’ Tag

Cube²: Hypercube (2002)   Leave a comment

A handful of strangers awaken in a cube. They have no idea how they got there. The cube is attached to other cubes and they climb from one to the other in a vain attempt to figure out who put them there and how to get out.


“We’ll call the cubes Tom, Dick, and Harry. No, wait.”

Ok. I’ll admit it. I saw Cube and thought it was an interesting concept. It was more interesting when Pirandello, Sartre, and Serling thought of it, but no matter. The film had some bright spots, but it didn’t quite gel. I thought maybe they’d nail it down in Cube²: Hypercube. My hopes were dashed about four minutes into the film.


“What’s my motivation?”

In the first film, I cared somewhat about a couple of the characters and was drawn into their struggle to find the key to their Rubik’s Cube prison. In the second film, I just wanted it to end. The characters, all connected in different ways to the company, Izon, which is obviously evil because they produce armaments and their employees know math, are so completely underdeveloped, it’s tough to care about them. Then, there’s the dialogue. Cribbed from any number of ‘scenes for actors’ type books and probably workshopped in an improv studio somewhere in Toronto, the conversations reeked of cheesy experimental community theatre and the acting, from much of the cast, carried the same stench. Kari Matchett and Geraint Wyn Davies, both familiar faces, were the exceptions. They’re both solid character actors who must have felt hoodwinked after reading the script.


“I found the stage directions. The characters climb into another cube and talk some more.”
“Terrific.”

Anyway, the cube denizens move from cube to cube trying to avoid the evil, and sharp tesseracts that appear and expand and oh I don’t care. Mean computer-generated shapes attack people we don’t care about and then the same characters reappear because parallel universes! Yep. The gang bandy about terms like quantum and gravity shift and draw pictures of cubes and all I thought about was how smart it was for the filmmakers to choose a big cube for the set because they’d only have to make one.


“I knew I hated geometry for a reason.”

There was a twist at the end which didn’t make sense and served no purpose and I didn’t care about anyway. Something something evil corporation experimental cube? I have no idea. I get when a film purposely withholds closure to make a point. I feel like in this case, the lack of a satisfying ending was less by design and more by “Hey, I know! We’ll make the whole thing a conspiracy and junk.”
“Great idea, Tad.”


“Mrs. Paley, you’re smudging the prism.”

No one connected to the film is called Tad, but it fit. The trouble with a conspiracy film without a well-defined conspiracy is you at least need Elliott Gould or Mel Gibson to liven things up and they need something lucid to say. Cube 2: Electric Boogaloo fails on both counts.


“She’s right, you know.”

Cube²: Hypercube lasts an hour and thirty-four minutes. You’re better off spending an extra twenty-one minutes and watching Con Air.


“Turn the channel or the bunny gets it.”

 

Advertisements
ASSHOLES WATCHING MOVIES

How many assholes does it take to review a movie?

Fade To Black

Movie & TV Reviews - Because everyone is entitled to my opinion.

Monstrous Industry

Whirr. Clank. Grr.

Musing to Myself

Pretty much what it says on the tin, my musings

Dance Dance Party Party Akron

Maniacs on the dance floor

raulconde001

A topnotch WordPress.com site

The Love Bungalow

a thoughtful lifestyle blog

Monkey Bread And Popcorn

Picking at Pop Culture

Pearls Of Blissdom by AntheasChronicles

It's the little things that make life blissful!

BooksAbound

Random musings from an extreme bibliophile.

immabelike

Its all about me that I know......rest you all can let me know

CURNBLOG

Movies, thoughts, thoughts about movies.