Archive for the ‘The Skull’ Tag

Patrick Magee: Food? All Right?   7 comments

A Clockwork Orange

Perenially vexed and menacing with a gravelly voice that retained just a hint of his Irish roots, Patrick Magee played doctors, policemen, military officers, and the occasional psycho in films and television starting in the late 1950s. Though he worked most often on the British stage, Magee alternated theatrical roles with TV and film appearances, working with directors like Joseph Losey, Roger Corman, Francis Ford Coppola, and Stanley Kubrick.

f973f3727c97e584a86b0d9a7779eb65
Kubrick films Magee and Malcolm McDowell in A Clockwork Orange.

Born in Armagh in Northern Ireland in 1922, Patrick George McGee, who changed his name to Magee, began performing Shakespeare and other classics in Ireland in the early 1950s. After coming to London for a series of Irish plays, he met Samuel Beckett and recorded some of Beckett’s plays for BBC Radio. Beckett and Harold Pinter, who Magee acted with in Ireland, remained close to him throughout his career and the two writers often requested Magee for pivotal roles in their plays and film adaptations. Beckett even wrote Krapp’s Last Tape with him in mind and said, while writing the play, Magee’s “voice was the one which I heard in my head.”

NPG x127341; Patrick Magee as Krapp in 'Krapp's Last Tape' by Ida Kar
These whale songs aren’t as calming as I had hoped.

After a handful of appearances in British television shows including Dial 999 and the BBC Sunday-Night Theatre, Magee started working in small, British crime films like Concrete Jungle (1960), directed by Joseph Losey. Stanley Baker stars in the film about the brutal lives of small-time criminals both in and out of prison. Magee has a small, but memorable part as a sadistic warder.

baker-prison
Magee sizes up Baker.

Magee married another Armagh native, Belle Sherry about this time and later had twins, Mark and Caroline. Despite Magee’s bouts with alcoholism, the couple stayed married until his death in 1982.

His stoic, aristocratic manner often tinged with cruelty and/or wisdom worked well in his roles in Roger Corman’s The Young Racers and Francis Ford Coppola’s Dementia 13. In the modern gothic horror, Dementia 13, Magee is Dr. Caleb, a creepy physician who seems to live on the estate of the wacky Haloran clan during a series of grisly murders. Until the end of the film, we’re never sure whether Magee is good or evil, but he plays the part like he has a locked room in his house where he keeps his collection of femurs.

08-1
“That’s right, little mouse. Just one more step and you’re in a sandwich.”

Corman’s The Masque of the Red Death (1964) came next. Magee’s evil in this one. Then, in Bryan Forbes’ phenomenal Séance on a Wet Afternoon (1964), he’s a police detective tasked with finding a kidnapped child. In Zulu (1964) Cy Endfield’s vivid retelling of the massacre at Rorke’s Drift, he plays a military surgeon. Sensing a pattern here?

Patrick Magee Seance on a Wet Afternoon
“I’m not a doctor, but I play one on TV. I’m a detective? Oh. Nevermind.”

The wonderful Amicus film, The Skull, which, by the way, is awesome, has Magee as a police medical examiner and stars a couple nobodies named Peter Cushing and Christopher Lee. It also features a malicious floating skull, so you should probably run out and watch it right now.

theskull-still
The skull in question

In the 1965 film, Die, Monster, Die! Magee and Boris Karloff do Lovecraft and again, he plays a doctor. The film isn’t as good as the title, but it does involve radiation and large plants.

XUpGDoc
Not the plant in question

The skull I mentioned earlier belongs or belonged, depending how you look at it, to the Marquis de Sade, who Magee played later in Marat/Sade (1967). The film takes place in an insane asylum in France and has the famous sadist directing a play about good and evil set during the French Revolution. Magee won a Tony for playing the role on Broadway.

marat1
“You’re rushing it. Relax and follow through.”

William Friedkin directed the disturbing Harold Pinter play, The Birthday Party (1968) in which evil torturers, Magee and Sydney Tafler, team up against a vulnerable Robert Shaw. I’m sorry to say I haven’t seen this one yet, but after reading the description, it jumped to the top of my watch list.

3b4da896a134a7886488019e9235b566--movie-tv-birthday-parties
“THAT BOOK WAS DUE ON THE 14th!”

Magee got a chance to do some serious emoting in the 1971 Stanley Kubrick film. A Clockwork Orange. He plays the writer, Mr. Alexander, victimized by Alex (Malcolm McDowell) who exacts revenge using a little Ludwig van, big speakers, and a plate of pasta. Kubrick cast Magee in Barry Lyndon too. In the sprawling epic, he plays sympathetic gambler, the Chevalier du Balibari, who takes young Lyndon under his wing.

Patrick-Magee=Barry-Lyndon-1975
I love Barry Lyndon, but hahahahahahaha.

My favorite Magee performances are in the Amicus films The Skull, Tales From the Crypt, Asylum, and And Now the Screaming Starts!. I’m a big fan of the Amicus portmanteau films and Tales From the Crypt and Asylum, in which he plays a blind man pushed a bit too far, and a doctor in a mental institution, are two of my favorites. All of the films here were directed by Freddie Francis and Roy Ward Baker and they’re terrific.

asylummagee
“I sat on my keys.”

Magee even shows up in a Charles Bronson classic, Telefon as a Russian KGB officer and in The Oscar-winning Chariots of Fire, as Lord Cadogan, head of the British Olympic committee. His last film roles were in Roy Ward Baker’s The Monster Club with Vincent Price and Lucio Fulci’s The Black Cat in 1981. In the Fulci film based on the Edgar Allen Poe story, Magee plays a psychic who converses with the dead and has a cat. When he has a bad day, Magee employs his cat as a hitman hitcat.

blackcat1
Patrick Magee in disguise

Between the films in this article, Magee also acted in Antigone, King Lear, many television series, and a host of stage plays. He appeared in Krapp’s Last Tape, the play Beckett wrote with him in mind, in the theatre and on TV as a part of the British anthology series, Thirty-Minute Theatre in 1972.

king
“I’ll divide my kingdom up and give it away. It’ll be great. Trust me.”

Earlier this year (July 2017), the Ulster History Circle honored the life of Patrick Magee by placing a blue plaque in Edward Street, Armagh, Ireland where he was born. Fellow Irish actor, Stephen Rea unveiled the memorial.

Patrick Magee had a long, successful career in both stage and screen. Though he tended to play authority figures on the edge of sanity, he had the talent to play a wide range of characters. He’s even in two films with exclamation points in the titles, which can’t be bad. Next time you serve your family dinner, remember his patented method to stop unwanted chatter.

giphy

I wrote this piece as a part of the What a Character blogathon run by Paula of Paula’s Cinema Club, Kellee of Outspoken and Freckled, and Aurora of Once Upon a Screen. Thank you, ladies, for organizing this for the sixth time!

wac2017

 

Advertisements

The Skull (1965)   1 comment

skull poster

Do you collect things? Stamps? Godzilla figurines? Commemorative spoons? In The Skull, Christopher Maitland (Peter Cushing) and Sir Matthew Phillips (Christopher Lee) collect all things Satan. They scour auction houses in search of devilish statues and books about torture for their macabre collections. They even buy hot tchotchkes from shady evil-stuff-seller, Marco (Patrick Wymark). Marco stocks an unusual variety of bizarre items, including a book he sells to Maitland. It’s a rare book. Well, one hopes it’s rare since it’s the memoirs of the Marquis de Sade covered in human skin. Nummy. Anyway, Maitland jumps at the chance to drop major ducats on the tome, which gives you some idea about his level of dedication to his hobby.

skullbook
I’ll wait for the paperback.

The next night, Maitland lounges in his well-appointed study reading his skin book when Marco arrives with a new demonic accessory to clutter his bookshelves. Marco brings Maitland a skull. This is no ordinary, dime-store skull, mind you. This skull has provenance. Well, Marco says it has anyway. This skull is the bony part of the head of the Marquis de Sade! Why Marco didn’t sell the skin diary/skull as a set will forever remain a mystery. The two men haggle over skull prices, as one does, but Maitland won’t bite. Maitland mentions the exchange to his friend, Sir Matthew, who warns him not to buy it by saying, “All I can say is keep away from the skull of the Marquis de Sade.” Words to live by, Matthew. Words to live by.

pool
“That skull’s evil, right devil statue?”

Unfortunately, Maitland doesn’t listen to his friend and drops by Marco’s place to buy the skull. Marco is indisposed, being dead and all, so Maitland grabs his souvenir and hits the road. Back home in his library, Maitland relaxes after a hard day’s looting. He spends a lovely evening surrounded by statues of Beelzebub reading about sadism from a book made of skin.

the-skull-09
Cozy.

Almost immediately, weird stuff happens. The normally peaceful Maitland begins to feel a strange, homicidal urge.
Is it coincidence? Is it the skull? Is he not getting enough fruit? Only the skull knows for sure.

wife
“Honey? You up?”

The Skull is an absolute blast. The stellar cast of Amicus/Hammer regulars, including Patrick Magee, Michael Gough, and Jill Bennett, add to the general atmosphere of British horror wonderfulness. We even get a little George Coulouris for good measure.

pat
“You didn’t see my lips move, didja?”

Robert Bloch (Psycho) wrote the story, aptly named “The Skull of the Marquis de Sade”.  Milton Subotsky, half of the Amicus production team of Rosenberg/Subotsky wrote the screenplay and the script moves right along. Director, Freddie Francis, a veteran of Amicus films, knows how to pack a lot into 83 minutes. They also pack some cool special effects into The Skull. Ted Samuels, who created the special effects for a number of Amicus features including Dr. Terror’s House of Horrors and The Psychopath outdid himself here. The skull, you see, flies. When provoked, it floats gracefully toward the camera. It’s not a choppy, Tingleresque motion, rather a majestic glide. The skull also lights up. It even manages to look evil. I stopped the DVD three times to watch a lit skull soar across a gentleman’s study. Seriously, you need to see this. If I haven’t convinced you yet, think about this. One scene in The Skull shows Christopher Lee and Peter Cushing playing pool…in tuxes.  ‘Nuff said.

skull
Hiya!

Note to self: Check into the possibility of manufacturing skull nightlights. You know, for kids.

 

 

CrazyDiscoStu

Reviews, opinions, observations, nerd culture, musings, general fan-boy geekery.

ASSHOLES WATCHING MOVIES

How many assholes does it take to review a movie?

Fade To Black

Movie & TV Reviews - Because everyone is entitled to my opinion.

Monstrous Industry

Whirr. Clank. Grr.

Musing to Myself

Pretty much what it says on the tin, my musings

Dance Dance Party Party Akron

Maniacs on the dance floor

raulconde001

A topnotch WordPress.com site

The Love Bungalow

a thoughtful lifestyle blog

Monkey Bread And Popcorn

Picking at Pop Culture

Pearls Of Blissdom by AntheasChronicles

It's the little things that make life blissful!

BooksAbound

Random musings from an extreme bibliophile.

immabelike

Its all about me that I know......rest you all can let me know

CURNBLOG

Movies, thoughts, thoughts about movies.